This
is the how the entrance looks like . It is just at the side of the main road.
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Encik Norhaiza Noordin |
When we walk into the boundary, it was this visitor room at
the left side. The room that we stay overnight is the upper floor. The room
underneath is Encik Norhaiza’s gallery that display all his wood craving panel
and kris (keris). We are not allow to take photo inside the gallery. It was just
an empty space with the stilts structure for the upper room until Encik
Norhaiza decided to change the space into his art gallery, he added on the
walls and wood window for the area.
Here is the view taken from the angle of our room. It is the
master bedroom but Encik Norhaiza is no longer stay in this house anymore
considering about the privacy for him and his family as the house had partly
became a gallery for tourist or visitor.
On the rightside from the entrance, it is this room that
originally used as the living room for the owner, and now he is planning to
turn it into another gallery for his craved work. He also modified the lower
part into his personal workshop area for visitors to learn about some basic
craving if they have interests about it.
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using the existing structure(stilts) with just add on some wood panels and transform it into a workshop shows how Encik Norhaiza used his knowledge on wood architecture for this empty space. |
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Entrance of the living room |
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a small pavillion connected to the master bedroom |
There are many details of joining that showing the structure is able to disassemble and reassemble depends on the users need. It shows how user friendly and eco-friendly of the Traditional Malay Houses.
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Although it is able to to disassemble, but considering about the infinite transform of the weather, Encik Norhaiza added screw on the structure to ensure it is able to withstand the strong wind . |
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Traditional Malay architecture creatively applied the interlocking concept on the structure . |
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Even the joining of the door doesn't require any hinge to provide the openable function. |
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